Verso Libre in the Kitchens of La Laboral

Audience wearing silencioSonoro wireless headphones in the kitchens of La Laboral during Verso Libre

XIX Encuentros Fotográficos de Gijón · Kitchens of Laboral Ciudad de la Cultura, Gijón · 26 November 2022

The project

XIX Encuentros Fotográficos de Gijón, the city photography festival, ran from 24 to 27 November 2022. On Saturday the 26th, María Moreno and Susana Girón presented the book Yo bailo in the Paraninfo during the afternoon. At eight, the dancer performed in the former kitchens of Laboral Ciudad de la Cultura.

Verso Libre is her flamenco happening: dancing in places that are not theatres, letting the site shape the piece.

silencioSonoro handled the sound system: capture, mixing and distribution through wireless headphones.

María Moreno wearing wireless headphones in the kitchens of La Laboral, Gijón

The space

The industrial kitchens of the Universidad Laboral, out of use. Tiled from floor to ceiling, steel counters, cold rooms. Not a single absorbent surface.

Acoustically it is an extreme case: everything that sounds comes back, and comes back several times.

María Moreno performing Verso Libre with her image projected behind her
María Moreno with open arms under the red light of the kitchens of La Laboral

The challenges

Reverberation. A fully tiled space returns almost all the energy it receives. The guitar loses definition and the footwork becomes a mass without contour.

A moving audience. There were no seats and no defined front. People surrounded the dancer, sat on the floor and moved with her through the different areas of the kitchen. There is no fixed listening position to take as a reference.

María Moreno dancing among the audience in the kitchens of La Laboral

Capturing the dance. Flamenco footwork is percussion against the floor, and the floor was the same one everyone was moving on.

Listening

The audience sitting on the floor around María Moreno, wearing lit wireless headphones

Each person received a set of headphones on arrival. Guitar, dance and sound space came through that channel, with no loudspeakers in the room.

Volume control is individual. The mix is the same for everyone; what each person decides is the level they hear it at.

Imagery

Live projection of the dancer on the tiled wall, with the audience listening through headphones

A camera followed the dancer live and projected her image in large format onto the tiled wall, so that she could be seen both in person and on screen at the same time.

María Moreno dancing beside the large-format projection in the kitchens of La Laboral

Photography

Closing bow by María Moreno and guitarist Eduardo Trassierra before the audience in headphones

The photographs are by Susana Girón, a documentary photographer from Granada. It was not a one-off commission: Girón had been following María Moreno’s work for years, which led to the book Yo bailo (Fracaso Books, 2020), eighty of her photographs with texts by the dancer.

Credits

Dance: María Moreno
Guitar: Eduardo Trassierra
Photography: Susana Girón
Sound: Javier Álvarez
Production: Bleu Prod
Sound immersion: silencioSonoro